Kevin is a moronic DJ who walks around shirtless, while Eli is a stereotypical hipster nerd who plans out all the gang’s schemes. And while the lack of any character development or growth is forgivable for a game of this nature, his inability to make me laugh is a crime that can’t be tolerated. The Boss isn’t exactly a fleshed-out character, with the only two observable personality traits being his crass love for murder and his strong bond with his friends. The main protagonist, called “The Boss”, is a chatterbox mercenary who acts and sounds like a knock-off Ryan Reynolds impersonator. Instead, Saints Row (2022) revolves around a group of four young adults, who have resorted to organised crime in order to pay rent. That means you won’t be seeing any familiar faces or locations. Volition has opted for a clean slate for the latest entry of Saints Row, positioning it as a reboot rather than a continuation of previous entries.
#New saints row series
Without the rib-tickling satirical comedy upon which its predecessors built its reputation, Saints Row (2022) ends up feeling like a mediocre imitation of the open-world games at which the series has previously poked fun. Here are my thoughts. Yes, there are plenty of jokes here, but they mostly fall flat, lacking the satirical wit of its predecessors. During the campaign, you’ll experience train heists, prison breakouts and more explosions than all the Michael Bay films combined.Īnd yet, I can’t help but feel that developer Volition has lost sight of what made the Saints Row series so appealing in the first place: the comedy. The Saints Row (2022) reboot attempts to take a similar approach to its predecessors, with chaotic action so absurd that it’s borderline parody.
The Saints Row series has never taken itself seriously, opting for a more laid-back and comical approach to organised crime, opposed to the grittier takes from other studios.
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